王川 Wang Chuan China, b. 1953

Biography
Wang Chuan (born in Chengdu in 1953) received BA in Traditional Chinese Painting from Sichuan Fine Art Institute in 1982. He currently lives and works in Shenzhen, New York and Chengdu.
 
Wang Chuan is a key figure in the Scar Art movement. He began his early career as a successful realist painter and turned to abstract painting during the 1985 New Wave period. In the late 1990s, sudden illness brought Wang Chuan to a turning point that transformed painting into his personalized spiritual practice. The energy at work in his recent work arises from contrasts of scale, density, line and surface. This kind of introspective and self-reflective way of working has enabled Wang to achieve insights, especially through the contemplation of oriental philosophy. This spiritual experience cannot be merely obtained from art history per se or any other motivations for the sake of art. Wang is inspired by many. He transferred the line on Xuan paper from traditional Chinese art onto canvas. In his painting, the graffiti, doodling and drawing can be observed. The abstract and figurative elements are also on the surface, and it is as if Wang Chuan is suspicious of the purity of abstraction and he is equally suspicious of the power of figuration.
 
With many solo exhibitions, not only in mainland China but also in the USA, Germany and Taiwan, Wang Chuan’s work has been the subject of discussion in many books by some of the most prominent scholars of Chinese painting, including Gao Minglu, Li Xianting, Wu Hung, Lv Peng and Pan Gongkai, as well as by Western critics such as Robert Morgan and Britta Erickson. His work can be found in many collections, including British Museum, London, UK, Soar Foundation, Fremont, USA, Asian Art Museum of San Francisco, San Francisco, USA, LACMA (Los Angeles County Museum of Art), Los Angeles, USA, The Hefner Collection, Los Angeles, USA, The National Museum of Finland-Ateneum Museum of Finland, Helsinki, Finland, Museum Ferrari Maranello, Maranello, Italy, UCCA (Ullens Center for Contemporary Art), China, Minsheng Art Museum, Beijing, China, Hong Kong Museum of Art, Hong Kong, Asia Art Archive, Hong Kong, M+ Contemporary Art Museum, Hong Kong, Hong Kong Convention and Exhibition Centre, Hong Kong, Liu Haisu Art Museum, Shanghai, China, Long Museum, Shanghai, China, Shanghai Duolun Museum of Modern Art, Shanghai, China, Guangdong Museum of Art, Guangzhou, China, He Xiangning Art Museum, Shenzhen, China, OCT (Contemporary Art Terminal), Shenzhen, China, Shenzhen Art Museum, Shenzhen, China, Guan Shanyue Art Museum, Shenzhen, China, Shenzhen Fine Art Institute, Shenzhen, China, Hubei Museum of Art, Wuhan, China, Pingshan Art Museum, Shenzhen, China, He Art Museum, Shunde, China etc.
Works
  • 王川 Wang Chuan, 书写系列 Handwriting Series
    书写系列 Handwriting Series
  • 王川 Wang Chuan, 城市系列 City Series
    城市系列 City Series
  • 王川 Wang Chuan, 宋庄系列 Songzhuang Series
    宋庄系列 Songzhuang Series
  • 王川 Wang Chuan, 尼泊尔系列 Nepal Series
    尼泊尔系列 Nepal Series
  • 王川 Wang Chuan, 房子系列 House Series
    房子系列 House Series
  • 王川 Wang Chuan, 日记系列 Diary Series
    日记系列 Diary Series
  • 王川 Wang Chuan, 早年抽象绘画系列 Series of Abstract Paintings at An Early Stage
    早年抽象绘画系列 Series of Abstract Paintings at An Early Stage
  • 王川 Wang Chuan, 盒子系列 Box Series
    盒子系列 Box Series
  • 王川 Wang Chuan, 色身系列 Rupakaya Series
    色身系列 Rupakaya Series
  • 王川 Wang Chuan, 青城山系列 Mount Qingcheng Series
    青城山系列 Mount Qingcheng Series
  • 王川 Wang Chuan, 再见吧!小路 Goodbye! Little Path, 1980
    再见吧!小路 Goodbye! Little Path, 1980
  • 王川 Wang Chuan, 幸存者 Survivors, 1981
    幸存者 Survivors, 1981
  • 王川 Wang Chuan, 自画像 Self-portrait, 1984
    自画像 Self-portrait, 1984
  • 王川 Wang Chuan, 1985系列 1985 Series, 1985
    1985系列 1985 Series, 1985
  • 1987
  • 王川 Wang Chuan, 墨 · 点 Blackness, 1990
    墨 · 点 Blackness, 1990
  • Artist Wang Chuan's ink art practice in 1997
    1997
  • 王川 Wang Chuan, 2003 南澳系列 2003 Nan'ao Series, 2003
    2003 南澳系列 2003 Nan'ao Series, 2003
Exhibitions
Art Fairs
News
Publications
Documents