Qi Lan and Tu Hongtao: Uninhibited Scenery Ⅱ
The exhibition of “Qi Lan & Tu Hongtao: Uninhibited Scenery Ⅱ” will open on April 26, 2019 in A Thousand Plateau Art Space. This is a two-person exhibition in which the two artists collaborate again on the theme of “Uninhibited Scenery” after eight years. The eight-year time has become a measurement of their mutual “uninhabitedness", and their cooperation on this theme will still continue in their collaborated exhibitions.
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漆澜 Qi Lan, 剩山图——梁山垭口 | The Remaining Mountain - Liangshan Bealock, 2017-2019
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漆澜 Qi Lan, 剩山图——我的梁山 | The Remaining Mountain - My Liangshan, 2017-2019
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漆澜 Qi Lan, 通景卷(一):富春山 | Scenic Illusion Painting Roll (1): Fuchun Mountain, 2015-2018
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漆澜 Qi Lan, 花溪渔隐 | Fishing in the Stream, 2016
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漆澜 Qi Lan, 赵之谦的花 No.1 | Zhao Zhiqian’s Flowers No.1, 2016-2018
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漆澜 Qi Lan, 五峰书院之一 | Wufeng Garden , 2016
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漆澜 Qi Lan, 波纳尔色彩练习稿 | Exercise of Bonal Color, 2010
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漆澜 Qi Lan, 苏丁变体练习 | Soutine Variant Practice, 2008
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漆澜 Qi Lan, 2002年意临塞尚 | Imitating the spirit of Cézanne 2002, 2002
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漆澜 Qi Lan, 致赵之谦练笔小稿 | Sketch Dedicated to Zhao Zhiqian, 2015
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漆澜 Qi Lan, 故园画稿——东桥(一)| Hometown Sketch - East Bridge (1), 2005
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漆澜 Qi Lan, 故园画稿——东桥(一)| Hometown Sketch - East Bridge (1), 2005
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漆澜 Qi Lan, 故园画稿——六子桂 | Hometown Sketch - Liu Zigui, 2009
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屠宏涛 Tu Hongtao, 大丘壑 | Laege Gully, 2018
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屠宏涛 Tu Hongtao, 山丘 | Hills, 2018
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屠宏涛 Tu Hongtao, 无题 | Untitled, 2018
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屠宏涛 Tu Hongtao, 纸本系列——无题 | Paper Series - Untitled, 2014
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屠宏涛 Tu Hongtao, 风景系列——男人与杂花 | Landscape - A Man with Flowers, 2014-2015
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屠宏涛 Tu Hongtao, 丘壑 | Gully, 2018-2019
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屠宏涛 Tu Hongtao, 甜蜜的乌托邦 | Sweet Utopia, 2019
The exhibition of “Qi Lan & Tu Hongtao: Uninhibited Scenery Ⅱ” will open on April 26, 2019 in A Thousand Plateau Art Space. This is the Double-solo exhibition in which the two artists collaborate again on the theme of “Uninhibited Scenery” after eight years. Eight-year time has became a measurement of their mutual “uninhabitedness", and the cooperation on this theme will be continue
Their "uninhibitedness" is not only the self-willedness of cultural character, but also an introspective and superior attitude; it is also the waywardness of artistic language and aesthetic taste, the experiments and excessive demands of written language in painting, as well as the reflection on traditional vocabulary and the disintegration and reconstruction of its confrontation. These make the two artists' paintings increasingly show distinct artistic characteristics and complex humanistic connotations.
Both Qi Lan and Tu Hongtao have a unique approaching to the understanding as well as the tempering of language in painting. In their works, there are not only the live feelings and sensitive expressions of the current state of life, but also the reflection of history as well as their search for a language that contains defense and openness. Their paintings not only have some kind of ancient literati poetry, but also a prudent analysis of modern rationality; they contain both the deconstruction and the subversion of the existing painting order with its customary language, as well as the pursuit of lofty spiritual order. It is longing to the sensitive willfulness or uninhibitedness of the past and is more eager to refine the cultural meaning behind it. Splitting and integration, destruction and construction, self-willedness and restraint, this multi-faceted confrontational cultural quality is opposite and united at the same time, which may be the common vision of the two in the exploration of contemporary painting.
The structure of this exhibition is based on the academic literature,and it highlights their process of exploration. Therefore, there are very few large-scale works on display, but demonstrated with many manuscripts, notes, and incomplete draft materials that collected from their process. It absolutely provides an opportunity to learn more about their creative steps and ideas. Wish there will be more specific dialogues and exchanges emerging from viewers and artists through this exhibition.