Chen Qiulin, I Exist, I Consume and I am Happy, Performance, 2003
陈秋林 Chen Qiulin China, b. 1975
Further images
购物车里的美丽新娘被8个戴着狗项圈的男人拖着，男人们在争夺什么？奶油蛋糕是自己喜欢的一种材料，浮华中的美丽物质，充满了诱惑和空虚。在物质的现实社会里，女人的位置到底在哪里？极端的现实行为伤害的是男人还是女人？谁才是真正的受害者？女人存在了，她们在消费着自己的青春，可是她们真的快乐吗？我们都被现实所伤害。（陈秋林／文）
Exhibitions
Group Exhibitions
2005
The Wall: Reshaping Contemporary Chinese Art, Albright-Knox Art Gallery/ The University at Buffalo Art Galleries, Buffalo, New York
The Wall: Reshaping Contemporary Chinese Art, China Millennium Monument Art Museum, Beijing, China
2003
China - Japan Performance Art Festival, Chengdu Academy of Fine Arts, Chengdu, China
群展
2005
墙：中国当代艺术二十年展，奥尔布莱特－诺克斯美术馆/纽约州立大学布法罗分校美术馆，纽约，美国
墙：中国当代艺术二十年，中华世纪坛艺术馆，北京
2003
中日行为艺术计划交流展，川音美术学院，成都，中国
Publications
2013
Zhu Zhu, Grey Carneval: Art in China since 2000, Guangxi Normal University, 2013. Print. p. 34.
2010
Lv Peng, Zhu Zhu and Kao Chienhui, Thirty Years of Adventures, Timezone 8 Limited; 1 edition, May, 2010. Print.
International Artists Workshop Project 2009 Chongqing Organhaus, Organhaus, Print. 2010. Print. p. 49.
2008
Gao Minglu, “Particular Time, Specific Space, My Truth”: Total Modernity in Chinese Contemporary Art, in Antinomies of Art and Culture: Modernity, Postmondernity, Contemporaneity, Terry Smith, Okwui Enwezor and Nancy Condee eds., Duke University Press, 2008. Print. pp. 160-161.
2006
Gao Minglu, Douglas Dreishpoon and Huang Bingyi, The Wall: Reshaping Contemporary Chinese Art., China Renmin University Press, 2006. Print. p. 341.
2013
朱朱. 灰色的狂欢节：2000年以来的中国当代艺术[M]，桂林：广西师范大学出版社，2013：34.
2010
吕澎、朱朱、高千惠. 中国新艺术三十年[M]，北京：Timezone 8出版，2010.
重庆国际艺术家Workshop计划2009[M]. 重庆：器·HAUS空间，2010：49.
2008
高名潞，“Particular Time, Specific Space, My Truth”: Total Modernity in Chinese Contemporary Art[2008][M]//Terry Smith、Okwui Enwezor、Nancy Condee编. Antinomies of Art and Culture: Modernity, Postmondernity, Contemporaneity[M]，德罕：杜克大学出版社，2008：160-161.
2006
高名潞，Douglas Dreishpoon，黄冰逸. 墙：中国当代艺术的历史与边界[M]，北京：中国人民大学出版社，2006：341.
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