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千高原艺术空间

中国四川省成都市高新区铁像寺水街南广场-610041

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Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990
Open a larger version of the following image in a popup: 王川 Wang Chuan, 墨 · 点 Blackness, 1990

王川 Wang Chuan China, 1953

墨 · 点 Blackness, 1990
纸上水墨、装置 Ink on paper, Installation
Copyright The Artist
咨询作品
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深圳博物馆个展《墨·点》该个展是王川绘画生涯中一个非常关键的转折点。他在其装置、行为艺术、架上绘画作品中成功地完成了从具象到抽象的衍变,把情感的直接表达转化为概念的实践。这个改变不是跳跃式的,而是自然的,因为他选择从绘画的本质来思考生命和视觉的问题。该展览被艺术史学家黄专誉为“极简主义在中国南方的第一次实践活动”。 Blackness at Shenzhen Museum in 1990 is a very crucial turning point in Wang Chuan's career. In his installations, performance art, and easel paintings, he has successfully completed the...
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深圳博物馆个展《墨·点》该个展是王川绘画生涯中一个非常关键的转折点。他在其装置、行为艺术、架上绘画作品中成功地完成了从具象到抽象的衍变,把情感的直接表达转化为概念的实践。这个改变不是跳跃式的,而是自然的,因为他选择从绘画的本质来思考生命和视觉的问题。该展览被艺术史学家黄专誉为“极简主义在中国南方的第一次实践活动”。


Blackness at Shenzhen Museum in 1990 is a very crucial turning point in Wang Chuan's career. In his installations, performance art, and easel paintings, he has successfully completed the transition from figuration to abstraction, transforming the direct expression of emotion into conceptual practice. This change is not a jump, but a natural one, as he chooses to think about life and vision from the essence of painting .The exhibition was hailed by art historian Huang Zhuan as “the first practice of Minimalism in southern China.”
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展览

Solo Exhibition:


1990 

Blackness - Wang Chuan’s Solo Exhibition, Shenzhen Museum, Shenzhen, China


个展:


1990

《墨 · 点-王川个展》,深圳博物馆,深圳,中国


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