陈萧伊 Chen Xiaoyi 中国, 1992
消解的方式之一，接近透明系列 A Method of Dissolution, Becoming Transparent Series, 2015
Copyright The Artist
Further images
人民公园已不再是彼时的“公园”，园中的一切都在摧毁与重建之间，持续至今，也将持续到未来。藤椅，茶碗，假山，青砖......这些穿越时间而来的物件，在面临扩张与毁坏的同时将自身留存其间。但在今天，它们所映射的那个过去的“公园”仅仅是被时空碾压过后残存的虚薄痕迹。在时代的更迭之间，这些痕迹何时又将会化为乌有？ People’s Park is no longer a “park.” Everything in it has been demolished and rebuilt, and this unending process of renovation will continue into the future. Cane chairs, tea...
人民公园已不再是彼时的“公园”，园中的一切都在摧毁与重建之间，持续至今，也将持续到未来。藤椅，茶碗，假山，青砖......这些穿越时间而来的物件，在面临扩张与毁坏的同时将自身留存其间。但在今天，它们所映射的那个过去的“公园”仅仅是被时空碾压过后残存的虚薄痕迹。在时代的更迭之间，这些痕迹何时又将会化为乌有？
People’s Park is no longer a “park.” Everything in it has been demolished and rebuilt, and this unending process of renovation will continue into the future. Cane chairs, tea cups, landscaped stones, grey bricks... These artifacts have overcome time and persevered in the face of constant development and destruction. Today, the ‘park’ of years past has been compressed by time into these pale remnants of what was. As one era turns to another, how long will it be before these too are gone?
People’s Park is no longer a “park.” Everything in it has been demolished and rebuilt, and this unending process of renovation will continue into the future. Cane chairs, tea cups, landscaped stones, grey bricks... These artifacts have overcome time and persevered in the face of constant development and destruction. Today, the ‘park’ of years past has been compressed by time into these pale remnants of what was. As one era turns to another, how long will it be before these too are gone?
