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Chen Xiaoyi, la, UV print on curved aluminum plate, 2019. Ed. 3 + AP
Chen Xiaoyi, la, UV print on curved aluminum plate, 2019. Ed. 3 + AP
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Chen Xiaoyi, do+, UV print on curved aluminum plate, 2019. Ed. 3 + AP
Chen Xiaoyi, do+, UV print on curved aluminum plate, 2019. Ed. 3 + AP
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Chen Xiaoyi, do, UV print on curved aluminum plate, 2019. Ed. 3 + AP
Chen Xiaoyi, do, UV print on curved aluminum plate, 2019. Ed. 3 + AP
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Chen Xiaoyi, fa, UV print on curved aluminum plate, 2019. Ed. 3 + AP
Chen Xiaoyi, fa, UV print on curved aluminum plate, 2019. Ed. 3 + AP
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Chen Xiaoyi, re, UV print on curved aluminum plate, 2019. Ed. 3 + AP
Chen Xiaoyi, re, UV print on curved aluminum plate, 2019. Ed. 3 + AP
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Chen Xiaoyi, sol, UV print on curved aluminum plate, 2019. Ed. 3 + AP
Chen Xiaoyi, sol, UV print on curved aluminum plate, 2019. Ed. 3 + AP
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Chen Xiaoyi, A bunch of fire: Mrs. Dalloway said she would buy the flowers itself, Variable size, mixed media, 2020. Ed. 3+ AP
Chen Xiaoyi, A bunch of fire: Mrs. Dalloway said she would buy the flowers itself, Variable size, mixed media, 2020. Ed. 3+ AP
陈萧伊 Chen Xiaoyi 中国, 1992
Foam, Form - Phase II: la, 2019
UV印刷曲面铝板 UV print on curved aluminum plate
150 × 80 cm
Edition of 3 plus 1 artist's proof
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巨大的泡泡通常是在娱乐性的魔术表演中出现，其本身承载着诸多的隐喻，这种如梦幻般的视觉体验却往往在瞬间消失，如同现代的水晶宫就是一个巨大的泡沫，一种资本全球化最理想的象征，而现代性也是指向过渡的，飞逝的，偶然的，并且一切坚固的都将烟消云散。同时，这些泡沫的形成正是风吹动的方向，也可以说是风的形状，因此作为风为自身的一种描绘。在负片的非日常观察当中，事物脱离我们惯常的方式而出现，使得我们更注意图像之中的轮廓与形态本身。
巨大的泡泡通常是在娱乐性的魔术表演中出现，其本身承载着诸多的隐喻，这种如梦幻般的视觉体验却往往在瞬间消失，如同现代的水晶宫就是一个巨大的泡沫，一种资本全球化最理想的象征，而现代性也是指向过渡的，飞逝的，偶然的，并且一切坚固的都将烟消云散。同时，这些泡沫的形成正是风吹动的方向，也可以说是风的形状，因此作为风为自身的一种描绘。在负片的非日常观察当中，事物脱离我们惯常的方式而出现，使得我们更注意图像之中的轮廓与形态本身。
