王川 Wang Chuan China, b. 1953
墨 · 点 Blackness, 1990
纸上水墨、装置 Ink on paper, Installation
Copyright The Artist
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深圳博物馆个展《墨·点》该个展是王川绘画生涯中一个非常关键的转折点。他在其装置、行为艺术、架上绘画作品中成功地完成了从具象到抽象的衍变，把情感的直接表达转化为概念的实践。这个改变不是跳跃式的，而是自然的，因为他选择从绘画的本质来思考生命和视觉的问题。该展览被艺术史学家黄专誉为“极简主义在中国南方的第一次实践活动”。 Blackness at Shenzhen Museum in 1990 is a very crucial turning point in Wang Chuan's career. In his installations, performance art, and easel paintings, he has successfully completed the...
深圳博物馆个展《墨·点》该个展是王川绘画生涯中一个非常关键的转折点。他在其装置、行为艺术、架上绘画作品中成功地完成了从具象到抽象的衍变，把情感的直接表达转化为概念的实践。这个改变不是跳跃式的，而是自然的，因为他选择从绘画的本质来思考生命和视觉的问题。该展览被艺术史学家黄专誉为“极简主义在中国南方的第一次实践活动”。
Blackness at Shenzhen Museum in 1990 is a very crucial turning point in Wang Chuan's career. In his installations, performance art, and easel paintings, he has successfully completed the transition from figuration to abstraction, transforming the direct expression of emotion into conceptual practice. This change is not a jump, but a natural one, as he chooses to think about life and vision from the essence of painting .The exhibition was hailed by art historian Huang Zhuan as “the first practice of Minimalism in southern China.”
Blackness at Shenzhen Museum in 1990 is a very crucial turning point in Wang Chuan's career. In his installations, performance art, and easel paintings, he has successfully completed the transition from figuration to abstraction, transforming the direct expression of emotion into conceptual practice. This change is not a jump, but a natural one, as he chooses to think about life and vision from the essence of painting .The exhibition was hailed by art historian Huang Zhuan as “the first practice of Minimalism in southern China.”
Exhibitions
Solo Exhibition:
1990
Blackness - Wang Chuan’s Solo Exhibition, Shenzhen Museum, Shenzhen, China
个展：
1990
《墨 · 点-王川个展》，深圳博物馆，深圳，中国
